This album collects music previously included in the Altera Orbe Woomh series, a number of minialbums mainly based on experimental, electronic and dark-ambient music genres. Most of the music contained in this album was recorded between 2009 and 2019 and released from 2012 onwards in digital format only (all of them available here).
This compilation not only includes music from each one of these minialbums and some unreleased music, but also a lot of extra information about the making of these recordings and their artworks.
All music composed, performed, produced and recorded except on track 10, with synths and grooves by Landru and track 13 with additional voices by Alan Kirlian.
All music included in this album was mixed, recorded and produced by Ran Kirlian between 2009 and 2019 This album was mixed, recorded and produced by Ran Kirlian between March and June 2019
| Track list | |||
| 1.- | White Angel III | 2:53 | |
| 2.- | The Seventh Voyage | 8:35 | |
| 3.- | Mystical Veils II | 5:57 | |
| 4.- | Orthaleim | 6:35 | |
| 5.- | Circles I | 2:58 | |
| 6.- | Froisia Venna | 5:41 | |
| 7.- | Benthos | 6:26 | |
| 8.- | Ix Tab 1 | 7:01 | |
| 9.- | Here Gather the Stars | 5:46 | |
| 10.- | VAIRISCO | 7:31 | |
| 11.- | Dreissia Veiox | 5:42 | |
| 12.- | Wrapped in Whispers | 3:07 | |
| 13.- | Sibiaran | 5:27 | |
| 14.- | Something Strange | 4:49 | |
| Complete set: 78:28 |


The Shape of Memories was originally released in 2013 for Phillip Wilkerson’ Complex Silence Project and has been unavailable for some time. It has been rereleased in 2018, remastered and having some parts mixed again from the source in order to enhance the experience and fix some minor issues.
Distant Signals was planned as a personal soundtrack for a deep space exploration, both inner and outer, based on pure electronic atmospheres build on minimal structures. Dark and light combines here in a flow of textures and subtle melodies laying on a vast environment out of time and space. The inital recordings were created letting things breathe, letting themselves mark the pace of the recording sessions, pulsating in the studio and me, provoking a state of consciousness that I have seldom achieved by playing my instruments. This is something that I would like to transfer to the listeners.
Third instance in the series of recordings based in long format drones and processed raw material. In this volume I collect three pieces as a result of different recording sessions during 2018 with mixed emotions, something that I also wanted to reflect on the cover art. These tracks were originally created as an inspirational source for my own as well as for meditative purposes. Some of these pieces may sound a bit raw and unpredictible, which is part of the spirit of the recordings, so I’ve decided to release these recordings for free.
Second instance in the series of live recordings based in long format drones and raw material originally created as an inspirational source for my own as well as for meditative purposes. Some of these pieces may sound a bit raw and unpredictible, so I’ve decided to release these recordings for free.
Ethernautica I is the opening volume on a series of a series of live recordings based on large format pieces with slow evolving atmospheres, mostly based on drones. This and other pieces that will follow in this series were originally created as an inspirational source for my own as well as for meditative purposes. Some of these pieces may sound a bit raw and unpredictible, so I’ve decided to release these recordings for free.
This conceptual album suggests an evolutive journey into lucid dream states with deep ambient atmospheres and environmental sounds, from floating soundscapes to tribal grooves, from the deeps of earth to the realms of surrealism… Taken from a live performance based on improvisations, Sleeper collects most of the sides of Kirlian music, including complex textures, subtle melodies, tribal percussions, flutes, shakers, seeds, rainstick, treated sounds and his own voice performing live.
Strange noises meets haunting overtones and static passages to conform a dark soundtrack for infinite landscapes.
This drifting work offers an inner vission of the cosmos thru a continuous flow of rhythmless textures and floating passages full of melody and harmony, creating an intimate experience with over 78 minutes of pure space ambient. Synthesizers have here a huge presence, building melodic structures, sometimes far away from the darkness I touch in other works.
The Physics of Heaven is a collaborative work with italian ambient master Oöphoi (Gianluigi Gasparetti). It is a bright and ethereal jouney that explores the transition between life and death thru different spiritual traditions and mythologies.