Richard Gürtler has reviewed the newest Landru album, Boira, which had a very nice reception:
Patxi Hernández aka Landru has crossed my radar for the first time during the spring of 2012, not only as one of the driving forces behind Spanish label Altera Orbe, together with another fellow soundscaping countryman Ran Kirlian, but also as a creator of very impressive debut CDr “Neurotransmitters” (released in November 2011). In the meantime Landru has released several other notable solo albums available on CDr format like “Fimbria”, “Scotoma”, “Facets” and a collaborative project “Waterfront” with above mentioned labelmate Ran Kirlian. Some of them I have reviewed throughout 2012 and 2013. Although, I believe, Altera Orbe is on hiatus now, both artists still continue on releasing their own music, particularly Landru has a new album “Boira” out since June 2016 on his newly formed label Lepysma, even if the CDr edition was released as a limited edition few months later. “Boira”, which means fog in Catalan language, comes in a standard jewel case with immersing black and white 4-page front insert.
Nearly 7-minute long “Dormant State”, the shortest one on “Boira”, ignites the venture with subterraneanly labyrinthine drone cascades, which are delicately reinforced by assorted, translucently cyber-tech swirls and smashes or ambiguously cavernous pulses and bleeps. Auxiliary warmer cinematic vignettes clandestinely permeate across engulfing hypogeal sceneries. A very strong opening! “The Water Cycle”, stretching to 11 minutes, merges richly biotic and mesmerizingly transporting location recordings with constantly circling longing undulations, while intangibly noisier bangs are persistently guarding above. The next piece, “Hydroscopic Particles”, only slightly shorter than its predecessor, straightly shifts into sonorously dronescaping Eden, where magnificently multi-dimensional monochromatic monoliths are meticulously coalesced with perpetually helixing primal rumbles and intriguingly traverse through awe-inspiringly panoptic vistas. A towering dronezones at its climax!!! “Evolving Landscape” delves into more future-tech-driven terrains highlighted by polished crystalline bleeps and oddities, and surrounded by balmily expanding and tranquilly nuanced cinematic horizons. Another big one!!! “From A Certain Height” masterfully blends nebulously engrossing choir-infused solitudes with subtly vibrating and intricately high-tech grooves. As much engrossing as electrifying, an aural elixir is served here! “Quiescense” reveals with soaring enigmatic drifts, roaming through perplexing altitudes and backed by remotely elusive throbs and eerily glancing groans and squeaks. The closing 20-plus minutes long title opus “Boira” dives deeply into grandiosely unfathomable depths, navigated by gracefully celestial and spellbindingly humming drone stratums and oracularly illuminated by extraterrestrial signals. And then inconspicuously crescendoing through jaw-droppingly transporting meridians. Massively mysterious finale fully reveals all its magic!!! Bravo, Landru!!!
Landru offers with “Boira” 75 minutes of prodigiously tenebrous atmozones exquisitely augmented by a diversity of cybernetic, futuristic or primordial-charged curiosities, no matter if shimmering, pellucid, granular or puzzling. Undoubtedly “Boira” is another very strong recording by Landru, so don’t hesitate to explore this crafted Spaniard, because he really deserves much more attention than he gets. Landru’s discography features several well hidden gems and your support would be greatly appreciated with many rewards awaiting!!! Patxi, muchas gracias and keep on creating!!!
Richard Gürtler (May 31, 2017, Bratislava, Slovakia)