Bert Strolenberg wrote a wonderful review of the album The Physics of Heaven by Oöphoi and Ran Kirlian at his website dedicated to Electronic Music Sonic Immersion:
As Oöphoi, aka Italian deep-ambient composer Gianluigi Gasparetti, flies with the angels since a couple of months, Spanish soul-spirit and musician Ran Kirlian decided to release his wonderful collaboration with him, based on unfinished recordings by Oöphoi between 2009-2011 and additional stuff created by Mr Kirlian between 2012-2013.
As the release was meant to materialize before Gianluigi’s passing, and the latter wasn’t able to make that happen anymore, Ran Kirlian started out a sonic quest wherein he tried to stay close to the initial goal of his music. During that process he remixed two large soundworlds in order to a create a solid flow that also worked as a kind of argument for both of them. After Mr Gasparetti’s approval, Ran then started adding his own layers of sounds and polish and sculpt the final result towards an album that merged and expressed both their ideas about life and death.
«The Physics of Heaven» ended up as a continuous space of unleashed serenity and gently flowing non-rhythmic tapestries lasting for over 70-minutes. It’s an overall soothing, peaceful and profoundly ethereal ambient landscape radiating many colours as it explores the transition between life and death through different spiritual traditions and mythologies as the contemplative washes break on an imaginary eternal shore.
If you’re looking for something to caress the mind and soul smoothly, «The Physics of Heaven» will be most satisfying. Recommended!


Landru – Facets
Joxan Ruiz – Blue Radiance
Cosmos is the first collaborative work between Ran Kirlian and the german based electronic ambient composer 






Scotoma is without any doubt, the darkest ambient album released by Landru so far. Scotoma is full of intriguing noises and background drones capable of creating an enigmatic and invisible atmosphere that surrounds the listener from the very beginning as an intense and dense fog that remains present throughout the whole album. During this journey to the dark side of the vision, you may also find some groovy percussions and rhythmical patterns which add some light into this otherwise impassable landscapes.
<`p>Among the sonic sources used during the composition, you may find all kind of digital and software synthesizers and also some experimental and organic sounds coming from innovative instruments and field recordings such as the Kurzweil K2000 VX, Access Virus Redback, Quasimidi The Raven & Polymorph, Korg Legacy Analog & Digital Edition, Absynth and Sonic Forest.
SUBURBAN CATACOMB
INNER WORLDS RETURNING
SUNPRINTS
